It’s been a while since I have “blogged”. I don’t know why. I actually really enjoy writing and (I guess) getting thoughts out of my head. It can be dangerous to keep thoughts in your head. Plus, thoughts can park themselves in prime real estate of your brain. So, I was getting in the habit of getting those thoughts out to clear up said real estate for new ones. It’s been a while, so the real estate is losing value. Time to clean up the neighborhood.
The main thing that has been squatting in my brain has been a hard subject to talk about. Mostly, because it’s easy to sound (my least favorite term) “bitter”. But, what How I see it, it’s never been a “bitter” feeling, just a confused, disappointed and depressing question and subject.
That question is “what happened?”. What happened to me in the last 10 years? Where did the career I had worked so hard for go and how did it go away so quickly. This subject was one that over the years through reading social media posts and speaking with friends, former colleagues and just general observance I saw that this isn’t a subject and question that I alone ponder.
I also saw that it wasn’t a “music business” issue. It’s an everything one. I know that business evolves, everything does, but when I was younger, it didn’t happen this fast. Maybe it’s the new world standard. Everything is just happening prematurely. When I started in the music business, I could look at my mentors and they were the age I am now, with many years left in their long careers. Somewhere along the line, that life expectancy was cut in half. Something i wish I knew would happen before i started. I would have looked into another profession.
But it’s not just me. It’s many people. People in the world where the 401k automatically was getting fed with every paycheck stopped getting fed a decade ago. The world where insurance has become a game of hoping nothing too bad happens while putting it on hold until you have enough money to sign up again for a plan that covers more than one check up a year. A world where you are actually better off dead than alive for your kids, because the one smart thing you did was invest and make sure to pay your life insurance policy.
So back to the question of “what happened?”....
Well, everything did. For me, it was the music business began to shrink. As a creative person, you are only as good as your last hit and I always ran a marathon. I worked with artists for the long haul. But as the business started changing, the marathon winner was a dreamer. It became a sprint game. A very crowded sprint game.
So, luckily I adjusted. Before the Napster years, I was (rather painfully) removed from a job that I had done well in. Why, doesn’t matter. But, at that time, I moved coasts and wanted to dip my feet into a new pool and learn something new that I had zero understanding on. The idea was to expand my knowledge to make me a better rounded person and not one dimensional. I learned under one of the best and was grateful for that 2 year crash course. After that tenure, I was spent and needed a break. Took a sabbatical (also known as not being able to find a job) and just got back to remembering why I got into it in the first place. I listened to music and went to shows again not because I “had to”, but because I wanted to. Because of that forced head clearing and time away from the grind of it, I was able to actually enjoy it again and found myself stumbling upon many new bands, writers, scenes, etc. It was magical.
From that, I voluntarily began helping these artist meet people in the business that I still knew. I had been fortunate to where I can at least still get a call answered and a song listened to based on my reputation and relationships. Don’t know about that these days though. More in that later. Anyway, bands got signed (and did quite well), managers got new clients (and did really well) and from that, I actually got a 2nd life at a label and publishing company. I thought i was out... and they pulled me back in. This was not a curse at all, but a blessing.
I had another amazing run at my new company for 5 years. See when I took a job anywhere, i was retiring there if it was up to me. Didn’t take a job to get a job. You hired me, you got me for life. Loyal as fuck.
Also during that time(Well before you could have 10 jobs at once), being at a label meant you couldn’t do outside jobs or work outside of your contract as it was seen as a conflict of interest. Understandably so. Today, you can work as a VP for a parent label, have a label, own a publishing company and manage producers and songwriters where you sign an artist to your label that is paid for by the parent label, but the artists needs to work with your songwriters that you publish and are produced by the producers and engineers you manage. Sounds fair. But I digress...
Anyway, even though i worked for the label and publishing company, I had many developing interests in artists and ideas that weren’t ready for prime time. So, through a friends developing company, I made an arrangement that would allow me to bring in said not ready for prime time players and ghost manage them. What that meant was for every act i would bring in, I would be the silent manager and one of the people at the management company, would co-manage and be the “face”. Which was great for me. I could be involved, if there was any money to be made, i could invest it back into the management company (because i had a salary and wasn’t looking to double dip), but by investing back, I was setting up my next career should my job ever go away, while helping manage the careers of these up and comers. I never take credit, but that has been a huge mistake for me, because by being humble and letting the light shine onto others, I have gotten erased from history. If it wasn’t for other people being around at that time and seeing it first hand, and me saving all the emails and instant messages, I would actually be a ghost and/or a liar.
See, this is where you may be rolling your eyes and calling me bitter. I know... it sounds like me bitching and crying. So, why does this matter?
Well, because this was around the time when “what happened?” starts.
It starts here because this is when label mergers went into full gear. I would say around 2005. The company I was at was NY based and I was in the West Coast office (staff of 27). As the mergers started within a 2 year period, the staff went from 27, to 22, to 17 to 13 (when i was made redundant) to 9 to 7 to a logo.
When my tenure ended, I would have thought that I had a place to go, since I had invested and been a pretty important part of a roster that changed them from being a rap metal management roster (with some up and coming writers who weren’t quite there yet, but got there and boy did they... FYI... absolutely ZERO to do with me). I only claim the bands and direction as something I had to do with. But, in the last year before my redundancy, there was an “issue” that happened at the company. And from my stand point, where there might have been good cause or reason, I didn’t agree with the manner it was handled. Of course, with my stupid punk rock ethics, had to state my thoughts. Anyone that knows me (and these people were family to me) I need to speak my mind for when something doesn’t feel right ethically. In this case the handling of the situation and the financial resolution were both handled very poor and quite honestly, hurtful to witness. The company was built on being the “good guys” and the exit and restitution was not what a “good guy” would do and I said it. Only thing was, you don’t say those types of things to the most liked person in the world. But, like i said, this person was like family to me and I’m open and honest with family, just to hope they see things from another side that’s not coming from anything other than honesty. Bad move.
Long story short, there was no home for me to go to. Persona non grata. It actually took almost 5 years to start repairing that one. I think it’s pretty good now. Very sad it will never be what it was. It’s hard to find friends out here that you feel are true. But, that’s life. The company flourished and continues. I’ve heard my “involvements” pop up here and there, but they are very watered down, so I’ve almost been written out completely, but I still have a gravestone somewhere that gets some sun every once in a while.
I have never seen much of a hand raised to look out for me. Is that because my former partner knows about my pride? Who knows, but it does contribute to “what happened?”.
On the other side, the friend I stood up for, he has reinvented himself and done great on his own. But again, I professionally haven’t seen anything float my way. He's one of the most righteous and genuinely nice people I know. His friendship all these years is reward enough for me.
Now it sounds like I’m bitter again. I know. But it’s not bitter. I think in this world where survival has become harder. We all know it’s who you know. So, in this case, I know some heavy motherfuckers. So “what happened?” that knowing the biggest people out there, I’m out here wondering how to get a new client or how to reach someone i used to know on behalf of my current clients, because I “seem” to know a lot of people and “seem” to have a pretty great reputation.
I do pride myself on being someone who can make it on his own. Over time, I realized that is more of my way with dealing with people not being as open about assisting me. I have zero problem helping people. It’s actually rewarding for me to see someone succeed from any contribution I made. I’m not saying I’m better than others, but much like my realization of how to deal with feelings alone out here, my helping others rewards me and gives me hopes that somehow through karma, it’ll come back to me. Spoiler alert... it doesn’t. But if it makes you (me) feel better, that should be reward enough.
I have always said, if karma points were air miles, I could fly around the world 1st class at least 3 times. But, they aren’t. Coach it is.
So being the “make it on your own” person I have become. Since the “what happened” period started, I have looked of ways to reinvent myself. Learn something new. Be well rounded. Be a person that can do everything really well. Not kinda ok. I mean like do any task. I learned a lot by trial and error. Never scared to try something and if I wasn't able to do it, i would teach myself. That has kept me going for a long time. So in these years of figuring it out day by day, every once in a while an opportunity would come up that I would look at (now this is where many of you reading this can really relate). These opportunities (another way of saying “jobs”) would come via word or mouth, recommendation or job posting (the worst). I’m not one who looks at a job and says “eh, I can kinda do that...”, I have to look at it and say “fuck this... I can do ALL of that”. So whether it’s word or moth, recommendation or job posting, I’m gonna give it a shot. I would say I get a call 2/10 times. Job posting is all key words and apparently, if your resume has all the job qualifications they list (word for word) none of those are the actual key words to get you looked at, so you get the automated “thanks but you don’t meet the qualifications we are looking for”, even though your resume has ALL of the qualifications they listed. When it comes to word of mouth or recommendation, by the time you get in contact, 9/10 times they already have someone (in house hire), so they might schedule you an interview out of courtesy or just have an assistant “reschedule” you until they just stop rescheduling.
I have two potential “opportunities” that stood out to me. They were both jobs i was very qualified for. One I didn’t even know was a potential “opportunity” until it was brought to my attention. This one was something that would have been called a “dream job”. I went to see an old friend with an idea. Some say I’m a dreamer. I had this idea for a way to exploit a catalog in a really creative way that would both make fans happy and be a way for a new audience to discover this band. Though this idea, there could be a new “soundtrack” vs repackaging the same shit over and over. A win for the label, a win for the publishers, a win for merchandise and a huge win for the legacy. Let’s call the band... I don’t know... ok... the Ramones. If anyone knows me, I kinda like the band. So I called an old friend who was so sweet and willing to meet with me. He did not need to at all. He’s very busy and I just appreciated the courtesy. Real stand up move. Went in, told my idea, somehow the conversation steered to him wanting to expand and had been thinking about adding someone. He knew my background and while it had some of the skills, there was a lot to learn. So, I was beyond excited and have zero issues learning from the bottom up. I’m a fast learner and put me in a new environment and I’m there to soak up as much as I can. I am a great utility player. Don’t ever want to be captain, just want to be on the team and hope to help the team win. Fast forward, he has me meet with his current team as i would be working under them and learning the ropes. Again, no ego here. Just excited about the opportunity.
Meet for lunch with the two guys and I start off by saying how much I love The Ramones and how they are one of my favorite bands, to where the reply was “yeah... they are everyone’s favorite band”. I knew at that moment this was going to be a long/short lunch. The whole time there, i was just trying to break the wall and just let them get to know me. It wasn’t gonna happen. With every description of how shitty the tasks would be, i would reply with great enthusiasm. It was legitimate. After about 40 minutes, the main guy asks for the check and stands up and says “ok thanks. We’ll get back to you after the holiday”. Thanksgiving was coming up. So, he starts to walk away towards the parking lot. Exactly where i was going. That exit was not too smooth. We then get down the stairs and he abruptly says goodbye again... only to start walking in the same direction as me. It appeared we were parked next to each other. One last goodbye and finally he is rid of me. I sent a follow up email to them thanking them for their time, and email their boss saying how much I enjoyed them.
A week after Thanksgiving, I have not heard from them. So, I email with a joke saying “well, we never specified after which holiday i would hear from you, so I hope to hear from you by MLK day”. I guess that didn’t go over well. I never got a reply. The Ramones have released some great repackages of albums I have bought 3 times already.
The other job, falls into the category of word of mouth/recommendation. It was a job at a company that I have actually been praising in their business model for the 21st century. I was told of this position by a friend who actually interviewed for it, but couldn’t relocate, so suggested me (one of my best friends to this day with as many stories, if not more, than me). I went into this meeting at very high recommendation by very high level people, so at least i would be considered as a potential candidate. This job I actually fit every single qualification.
The day of the meeting, i went in, was actually there for over an hour, and answered and knew every single thing they asked and had answers to every question asked. Thai was my world. No on the job training needed. All was going well when the hiring manager (in the middle of me speaking) just stands up and says “ok. Thanks for your time. I have to go”. He walked out the door while shaking my hand and I just stood there like a person staring at the gate as the plane pulls away. I left, emailed both of the people I met with. Thanked them for their time and appreciated them taking so much time out of their day. Never heard from either again.
I found out a week later from my friend who suggested me that he had gotten an email from the main person saying they had hired someone already. The date of that email was the same day I went in to interview. I wish I could have that hour of my life back.
I have spent a lot of time just shrugging my shoulders and saying “oh well”, but oh well has become “what happened?”.... what did I do to put myself in this situation? I would get it if I was an asshole to people, kicked puppies or screwed people over, but I wasn’t, I don’t and I haven’t.
I’m not bitter, just confused. Wondering what will be next, how can I fix it, can I fix it, where will I be next year?
I’m thankful for my kids. They have nothing but hope in their eyes and their futures. That’s what makes me keep on keeping on. I love what I do. I'm fortunate that I am able to still work doing what I have done for 25 years, I still have no ego about who I am or what I do. I can meet with big wigs, i can throw out the garbage. Who gives a shit. I teach young, talented students at a university and I still work with artists that can sell out venues and sell directly to fans through social media only, i have gotten to develop young artists purely DIY and have been able to get them going, slowly growing a career. The marathon mentality. So, no complaints professionally. I just wish it was more stable.
I'm sure a lot of you can relate to this. So what happened? I still don't know, but you aren't alone. Stay positive.
Holler if you hear me.
Showing posts with label Sire Records. Show all posts
Showing posts with label Sire Records. Show all posts
Saturday, November 24, 2018
Holler If You Hear Me
Labels:
A&R,
artist manager,
emo,
fall out boy,
job search,
music,
music business,
music management,
music publishing,
musical,
Ramones,
rant,
relatable,
rhino records,
Sire Records,
unemployed
Saturday, February 1, 2014
Paint A Vulgar Picture
After being someone who worked in the music industry for half my life, the one thing I dreaded becoming was the guy that would look at new bands or labels and say things like "back in my day". I'm only 44, so my day wasn't really that long ago.
The speed that things have changed (not for the better) is incredible. I don't care about the music and whether it's shitty or just unoriginal replicas of music from the past. Ok I do care, but that's not the point of this post. My issue today is how the opportunity of growth and development for an artist or band has become a thing of the past at a major label. Now before I hear all about the indies, etc, that also is not the point of this. I'm more talking about the boutique labels that existed as placed to grow and nurture before the big money and hits came. Labels that existed within a label or were distributed by a major system, but didn't have the major label money to spend to develop those bands. Sure the costs today are higher and the demise of record stores are also part of that, but there is always a way to adapt and adjust while still carrying on with the same marketing strategy.
Labels like IRS, Stiff, Reprise are ones that immediately come to mind. But more important to me, Sire. Sire was home to The Ramones, Talking Heads, The Smiths, Madonna... The list is endless of great artists and bands. Sire was special mostly because if their large range of musical taste. What they brought was almost always quality stuff that was new or important (even if we didn't know yet). The commitment they had to artists was what mattered. I didn't work with any bands that were on the label, nor did I work there (so those people might have a different thoughts), but I base my opinions on how I saw it. Some of these bands broke into super stardom, some never got as big as they should have, but they did make a careers worth of material to be a band as a career (for the most part). But specifically, Sire put out albums that made a mark and were important in their quality and what they will mean to people in the future. Benchmark albums that get cited in the "most influential album" lists.
I just got the brilliant new album by Against Me!
Transgender Dysphoria Blues is an album that belongs on Sire. The only problem is, Sire dropped them 4 years ago.
Against Me! Had the luxury of putting out 3 albums independently and 2 on Sire. The first release came out on (very small indie) No Idea. Got a place to grow and build a fan base with Fat Wreck Chords for 2 albums. Following those releases, they then made the bold move to Sire for the next 2 releases. I'll be honest, I would always get mad when punk bands did this move to a major. And I'll say it. This was always because I was jealous that it wasn't me doing it. That's the truth.
The move to Sire was to grow bigger, get more opportunities, sell more records. Makes sense. Sire made sense. Shit, if I was managing them, I would have done it too. Only at this point the business was changing and the major label system wasn't changing with it. The life span of a new or developing artist is not very long. The numbers needed to keep a band working on a major are also amazing. Because a release that sells 50,000 copies is a huge success on an indie, but a flop on a major.
Against Me! did exactly what what it was supposed to do. They made 2 great album and got bigger. They grew with the opportunity. They were following the Sire model. Only, Sire wasn't that Sire anymore and that model was long broken. I'm not blaming those that were there, it's just the system and the loss of artist development vision. They tore the trees from the field for not growing fast enough. Sure, sometimes things happen faster, but that's a fluke (Offspring). They failed to let them grow even though the roots were strong. The billboard debuts for both records showed they were on their way. New Wave entered at 57 and the follow up White Crosses at 34. The touring was growing and the merchandise was insane, radio was playing them. So why drop them? It became a numbers game and the cost of keeping them wasn't worth it. If this was the case back in the day, The Ramones would never have gotten to Road to Ruin, The Smiths would never have gotten to The Queen is Dead and Talking Heads would never have been able to release Fear of Music.
It looks like it became a blessing in disguise because on January 21st, 4 years after White Crosses came out, Against Me! debuted at number 34. The album was released on Total Treble Music, the bands own label.
I'm happy for them, because this is a true rock and roll record. If say punk album, but the word has been butchered so much, it would devalue it. They never gave up and instead Laura Jane Grace and the band put it all into this, almost rebirth of Against Me!
Transgender Dysphoria Blues is an album about depression, living as someone you aren't, all the things that come with it and changing who you are and the what comes with that. I think it's a important album for anyone who is struggling with any of these issues to know they aren't alone and hopefully gives them strength to live a full and happy life. It's also an album for people to feel the pain some people have when dealing with these issues as well. Learn how they feel and how to be supportive.
I hope as an indie, it gets the attention it deserves, but I can't help but wish it had a chance with the support of a Sire of yesteryear. This album would fit right up there next to classics like Meat is Murder and Music for the Masses or Remain in Light
When The Smiths released the album "Strangeways Here We Come", the song Paint A Vulgar Picture always stood out to me. Mostly because of the music and melody, but also because of the lyrics. I kind of got what Morrissey was saying, but not really until I got into the business. The story behind the song, is basically when an artist dies, the record company finds a way to parade the catalogue and anything they can to make a buck from what's over.
Catalogue is the meat of a label to make money. It makes sense. Exploit the catalogue, hope to please fans and make new ones while getting as much from your investment than you can.
But to sell a catalogue, you need to have a catalogue. Having a greatest hits album with only 2 albums worth of catalogue is not a career.
By not developing artists anymore like they used to by investing time and money in something they believe in is killing it off, shortening careers and aborting the possibility of what could be.
Just imagine if the business was then how it is today. I'm sure you can make a list of bands who would never have made it.
I would post a link to stream Transgender Dysphoria Blues, but I would rather you plopped down $9.99 and supported the independent artist, rock and roll and future careers.
Here's to the the underdogs and here's to Laura Jane Grace.
The speed that things have changed (not for the better) is incredible. I don't care about the music and whether it's shitty or just unoriginal replicas of music from the past. Ok I do care, but that's not the point of this post. My issue today is how the opportunity of growth and development for an artist or band has become a thing of the past at a major label. Now before I hear all about the indies, etc, that also is not the point of this. I'm more talking about the boutique labels that existed as placed to grow and nurture before the big money and hits came. Labels that existed within a label or were distributed by a major system, but didn't have the major label money to spend to develop those bands. Sure the costs today are higher and the demise of record stores are also part of that, but there is always a way to adapt and adjust while still carrying on with the same marketing strategy.
Labels like IRS, Stiff, Reprise are ones that immediately come to mind. But more important to me, Sire. Sire was home to The Ramones, Talking Heads, The Smiths, Madonna... The list is endless of great artists and bands. Sire was special mostly because if their large range of musical taste. What they brought was almost always quality stuff that was new or important (even if we didn't know yet). The commitment they had to artists was what mattered. I didn't work with any bands that were on the label, nor did I work there (so those people might have a different thoughts), but I base my opinions on how I saw it. Some of these bands broke into super stardom, some never got as big as they should have, but they did make a careers worth of material to be a band as a career (for the most part). But specifically, Sire put out albums that made a mark and were important in their quality and what they will mean to people in the future. Benchmark albums that get cited in the "most influential album" lists.
I just got the brilliant new album by Against Me!
Transgender Dysphoria Blues is an album that belongs on Sire. The only problem is, Sire dropped them 4 years ago.
Against Me! Had the luxury of putting out 3 albums independently and 2 on Sire. The first release came out on (very small indie) No Idea. Got a place to grow and build a fan base with Fat Wreck Chords for 2 albums. Following those releases, they then made the bold move to Sire for the next 2 releases. I'll be honest, I would always get mad when punk bands did this move to a major. And I'll say it. This was always because I was jealous that it wasn't me doing it. That's the truth.
The move to Sire was to grow bigger, get more opportunities, sell more records. Makes sense. Sire made sense. Shit, if I was managing them, I would have done it too. Only at this point the business was changing and the major label system wasn't changing with it. The life span of a new or developing artist is not very long. The numbers needed to keep a band working on a major are also amazing. Because a release that sells 50,000 copies is a huge success on an indie, but a flop on a major.
Against Me! did exactly what what it was supposed to do. They made 2 great album and got bigger. They grew with the opportunity. They were following the Sire model. Only, Sire wasn't that Sire anymore and that model was long broken. I'm not blaming those that were there, it's just the system and the loss of artist development vision. They tore the trees from the field for not growing fast enough. Sure, sometimes things happen faster, but that's a fluke (Offspring). They failed to let them grow even though the roots were strong. The billboard debuts for both records showed they were on their way. New Wave entered at 57 and the follow up White Crosses at 34. The touring was growing and the merchandise was insane, radio was playing them. So why drop them? It became a numbers game and the cost of keeping them wasn't worth it. If this was the case back in the day, The Ramones would never have gotten to Road to Ruin, The Smiths would never have gotten to The Queen is Dead and Talking Heads would never have been able to release Fear of Music.
It looks like it became a blessing in disguise because on January 21st, 4 years after White Crosses came out, Against Me! debuted at number 34. The album was released on Total Treble Music, the bands own label.
I'm happy for them, because this is a true rock and roll record. If say punk album, but the word has been butchered so much, it would devalue it. They never gave up and instead Laura Jane Grace and the band put it all into this, almost rebirth of Against Me!
Transgender Dysphoria Blues is an album about depression, living as someone you aren't, all the things that come with it and changing who you are and the what comes with that. I think it's a important album for anyone who is struggling with any of these issues to know they aren't alone and hopefully gives them strength to live a full and happy life. It's also an album for people to feel the pain some people have when dealing with these issues as well. Learn how they feel and how to be supportive.
I hope as an indie, it gets the attention it deserves, but I can't help but wish it had a chance with the support of a Sire of yesteryear. This album would fit right up there next to classics like Meat is Murder and Music for the Masses or Remain in Light
When The Smiths released the album "Strangeways Here We Come", the song Paint A Vulgar Picture always stood out to me. Mostly because of the music and melody, but also because of the lyrics. I kind of got what Morrissey was saying, but not really until I got into the business. The story behind the song, is basically when an artist dies, the record company finds a way to parade the catalogue and anything they can to make a buck from what's over.
Catalogue is the meat of a label to make money. It makes sense. Exploit the catalogue, hope to please fans and make new ones while getting as much from your investment than you can.
But to sell a catalogue, you need to have a catalogue. Having a greatest hits album with only 2 albums worth of catalogue is not a career.
By not developing artists anymore like they used to by investing time and money in something they believe in is killing it off, shortening careers and aborting the possibility of what could be.
Just imagine if the business was then how it is today. I'm sure you can make a list of bands who would never have made it.
I would post a link to stream Transgender Dysphoria Blues, but I would rather you plopped down $9.99 and supported the independent artist, rock and roll and future careers.
Here's to the the underdogs and here's to Laura Jane Grace.
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